Contrary to the band’s name, downtime is a rarity for Slow
Season. Sandwiched between summer 2015’s extensive tour with their RidingEasy
labelmates Mondo Drag and Electric Citizen, plus several short west coast
jaunts, the hard-working quartet also found time to hammer out its most
powerful and ambitious album yet. Written, engineered, produced and mixed
themselves on their own equipment, entirely on analog tape, Westing is a
hard-hitting and powerful reminder of how at one time a rock ‘n’ roll band could
be a transcendent experience.
While Slow Season’s sound continues to effortlessly nod to
the great bands of the 60s-70s, Westing is truly the sound of a band
coming into their own. The songwriting is tight, howling and hypnotic. The sound is classic, yet refreshingly new.
coming into their own. The songwriting is tight, howling and hypnotic. The sound is classic, yet refreshingly new.
“It’s a different album,” says drummer and primary recording
engineer Cody Tarbell. “But we never have wanted to find a particular sound or
any one thing and be attached to it permanently. A big part of our records is
experimenting.” The Visalia, CA band — Daniel Rice (vocals, guitar), David Kent
(guitar), Hayden Doyel (bass), and Cody Tarbell (drums) — has recorded all of their albums on
reel-to-reel at Tarbell’s home studio in a cornfield. This affords them the
time to experiment getting sounds, while maintaining focus on the most
important notion that performance is key. As with previous albums, recording
was pretty immediate, tracked between January 15th and the beginning of
February 2016 to 16-track tape and mixed to 2-track tape.
Equally as ambitious as the band’s self-sufficient
production is the sprawling lyrical theme to the album. Thematically picking up where the Slow
Season’s previous full length Mountains left off, Westing tackles some heady
issues.
Download Album: https://5low5ea5on.bandcamp.com/album/westing
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