"As it should, the second full-length from Oslo five-piece
The Devil and the Almighty Blues shows marked growth from its predecessor. The
Norwegian outfit released their self-titled debut early in 2015
via Blues for the Red Sun Records (with distribution through Stickman), and the
six-song II works quickly to build on the potential shown previously in a
thick, smokey vibe of classic heavy rock, laid back jam-prone psychedelia and
pervasive melancholy. The blues, in other words, indeed proves mighty, even if
one might still hear the sorrowful roll of “North Road” and liken its
vinyl-ready compression to Scandinavia’s still-pervasive retro movement. In that second cut and pieces like 10-minute opener and
longest inclusion (immediate points) “These are Old Hands,”
“Low” and “How
Strange the Silence,” The Devil and the Almighty Blues display a wider array of
influences and seem to nod as much to the Rolling Stones as to Graveyard while
drawing on the languidly open sensibilities of bands like Child, All Them
Witches or even Dwellers, if not directly than certainly through some measure
of shared inspiration. The lineup of Arnt Andersen, Petter Svee, Kenneth
Simonsen, Torgeir Waldemar Engen and Kim Skaug accomplishes this while enacting
an immersive full-album flow that begins with “These are Old Hands” and does
not let up across II‘s 47 minutes, offering patient execution and natural
atmospherics through closer “Neptune Brothers” whether an individual part or an
individual track is as brooding as “When the Light Dies” or as rocking as the
finale itself. That finale makes a fitting bookend to the start of
“These are Old Hands,” which also finds The Devil and the Almighty Blues
kicking out one of II‘s more upbeat thrusts. In context, and especially on repeat
listens, “These are Old Hands” nonetheless does tremendous work in setting the
tone for the rest of what follows — perhaps most notably in its
blink-and-you-missed-them transitions and the fluidity with which it shifts
between parts. Hypnotic but memorable in its underlying shuffle, the song
crashes out after about four minutes in and eases its way into a subdued jam
topped by warm lead guitar and kept in motion thanks to ride cymbal and a
prevalent low-end rumble. A louder solo emerges at about the seven-minute mark,
and The Devil and the Almighty Blues seem to have hit their peak by the time
the next two minutes are up, but they draw back to the chorus to round out in a
reinforcement of structure that lets the listener know right away they’re in
capable hands. “North Road” and “When the Light Dies,” the pair that round out
the presumed vinyl side A, bring further confirmation of the band’s control
over what their sound does at any given moment." Read Full Review : http://theobelisk.net/obelisk/2017/03/10/the-devil-and-the-almighty-blues-ii-review-premiere/
Download Album: https://thedevilandthealmightyblues.bandcamp.com/
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