Sunday, 28 May 2017

The Sonic Dawn - Into The Long Night (2017)

Into the Long Night is the second album by The Sonic Dawn, one of the most remarkable bands to come out of the new psychedelic wave in Denmark. Just a few seconds into this album, you will realize that you are in for a mind altering experience.
“It’s a trip! By taking the listeners to places they didn’t expect to go, we hope to make them aware – that they’ll stop up and think about life for a minute. Awareness is the first step to change in the world,” says Emil Bureau (guitar/vocals). To achieve the dramatic changes of mood and feeling that The Sonic Dawn excel at, they mix a wide range of styles, from jazzy sitar pop to heavy acid rock. A pleasant-sounding analog production makes the album easy to approach, not to water it down, but

Saturday, 20 May 2017

Here Lies Man - s/t (2017)

"What if Black Sabbath played Afrobeat? In short, that’s the underlying vibe to the self-titled debut by Here Lies Man. The L.A. based quintet is founded and conceptualized by Marcos Garcia of Antibalas, bringing his erudite experience of West African rhythms and music to the more riff-based foundations of heavy rock. The results are an incredibly catchy and refreshing twist on classic forms, without sounding forced and trite like some sort of mash-up attempt. Here Lies Man merges and expands musical traditions organically, utilizing the talents of drummer Geoff Mann (son of jazz musician Herbie Mann) and a host of skilled musicians to make Garcia’s vision a reality. “The repetitive guitar figures that happen in Afrobeat music are very close to heavy rock guitar riffs,” Garcia

Wednesday, 17 May 2017

Farflung - Unwound Celluloid Frown (2017)

"Cosmic space lords Farflung return with their new Ep 'Unwound Celluloid Frown' 33 minutes of lysergic grooves and slamming riffs.... Imagine, as if the bastard child of Amon Duul ii and Hawkwind arose from the ashes of America....stark and glimmering......bathed in the energetic glow of the Stooges....one last cup raised to the lunatics and wishing for wounds.... They have set their course for the farthest reaches of the universe.... Are you ready? Are you ready to climb aboard their craft? Fasten your safety belts, engage your breathing apparatus...the lift off is about to begin....
Recorded at Saturn Moon Studio and EMU4 Tritium in 016/017 produced by Grenas/Esther/Nakata. With Special Guests: Abby Travis (Track 3) / Jensen Bell. (Track 3)

Monday, 15 May 2017

Troubled Horse - Revolution On Repeat (2017)

"There’s no doubt about the health of rock’n’roll in the minds of Swedish rabble-rousers Troubled Horse. From the off, they charge at us with thundering riffs, their adrenaline-fuelled slabs of hard rock passionately carrying the torch of classic rock history into the future and beyond, swerving all-out nostalgia but celebrating their roots. And it’s a riot. As the title suggests, there’s a social heart beating under there too, the rich tradition of standing up for the underdog strong in their veins. ‘Haven’t you heard? The future’s for the wealthy ones,’ charismatic frontman Martin Heppich cries on The Filthy Ones, before channelling Johnny Rotten: ‘Don’t you know that there’s no future for you?’ That it’s followed by a gleaming riff that prostrates itself before Thin Lizzy on the garage blues-

Saturday, 13 May 2017

Doctor Cyclops - Local Dogs (2017)

"Local Dogs is an explosive mixture of seventies heavy rock, New Wave of British Heavy Metal and obscure doomy sabbath-style stuff ready to take you back to the spirit of a different era. Groovy riffs and gloomy paths coming straight from the woods give you the impression that the epic saga of the Seventies ended up in something different than a fleeting reflection of the past. If you like the early Deep Purple groove, try to imagine it mixed with the bluesy Graveyard mood played by Cathedral jamming on Budgie's tunes in Witchfinder General's practice room: then you should be close to realize the spirit and the power of this record. In this contest the featuring of Bill Steer (Carcass, Firebird, Gentlemans Pistols) on lead guitar just tastes like the cherry on top of a tempting

Samsara Blues Experiment - One With The Universe (2017)

"As they returned home to Germany this past week from a South American tour and made ready to head out over the next month on a slew of European dates including festival stops at Under the Black Moon, Riff Ritual, and Desertfest in London and their native Berlin, Samsara Blues Experiment came one step closer to the release of their fourth full-length, One with the Universe. The album — confirmed for a May 12 release through Electric Magic Records with cover art by Michel Bassot newly unveiled below — arrives four years after the third Samsara Blues Experiment outing, Waiting for the Flood, and finds the band pared down to a trio for the first time on a studio offering, returning to activity after several years away following a prolific run between 2009 and 2013, and

Wednesday, 19 April 2017

Mothership - High Strangeness (2017)

"This time around we are heading out on a fuzzed out intergalactic space ride with Texas Mothership. Their new album is entitled High Strangeness. It is an, albeit brief, but rocking excursion. Those unfamiliar with Mothership may not realize that they were abducted sometime in the mid-70’s, they show up intermittently to drop these heavy ass, fuzzed out tunes for out consumption. Mothership is heavily influenced by ZZ Top, Mountain, Sabbath and the like. They do take a bit of a modern spin on these classic masters.
On to the tracks. The record opens up with the quiet to fuzzed out instrumental title track, High Strangeness. The band kicks off the catchy ass rocking tunes with Ride the Sun. Next up has the sing along chorus

Tuesday, 18 April 2017

Project Grimm - The Crass Menagerie (2017)

"In 2015, ultra-respected Italian print ‘zine Vincebus Eruptum did a story in its 19th issue highlighting the prodigious and sometimes bizarre Houston noise rock scene. Around the same time, the label wing of the same publication hooked up with the Linus Pauling Quartet to release the early-2016 full-length, Ampalanche, basically putting their money where their mouth is. Or at very least continuing to in a manner beyond the already considerable factor of running a print outlet in the 2010s. Seems fair to look at Vincebus Eruptum Recordings picking up Houston’s Project Grimm (ex-The Mike Gunn) to issue their first album in well over a decade, The Crass Menagerie, as an extension of the same impulse. The record is set to arrive on Feb. 15, and feature eight tracks split up over

Friday, 31 March 2017

Horisont - About Time (2017)

Ready for 2017’s first hard rock highlight? Sweden’s HORISONT present a sheer fantastic blend of classic rock on their fifth opus “About Time”! From the Montrose-tinged rumble of the opening “The Hive” and the sharp, new wave shades and psych rock pulse of “Electrical” through the insistent, lysergic, Lizzy-esque boogie of “Night Line” and the sumptuous, tripped-out splendour of the closing, epic title track, “About Time” is an album of beautifully crafted songs executed with maximum imagination and a whole lot of denim-clad love, even touching upon the radio-friendly sheen of Moog-laced AOR on the irresistibly funky “Boston Gold”. HORISONT are ready to conquer the world with these magical new anthems and delivered one hell of a first release on new label home

Thursday, 30 March 2017

Colour Haze - In Her Garden (2017)

"In part, it’s a question of scale. The 12th studio album from Munich-based trio Colour Haze, titled In Her Garden and featuring an array of tracks named for plant-life including “Black Lilly,” “Magnolia,” “Arbores,” “Lotus,” “Lavatera,” and so on, lands less than three full years after its predecessor, 2014’s To the Highest Gods We Know — they also had the live album, Live Vol. 1 – Europa Tournee 2015, out in 2016 — but in its sound and scope, it might have more in common in terms of presentation with the record before that, 2012’s She Said. Like that offering, In Her Garden is a sprawling, 2LP affair — its 72 minutes fit on one CD, however, which She Said didn’t — rife with progressive forward steps on the part of the self-recording three-piece guitarist/vocalist Stefan Koglek,